VV Olympia Haarlem 6 de site voor voetballers

• by kudufegu on 14 november 2011 at 06:48

hendrik goltzius âthe shepard and his flockâ engraving hendrik goltzius january or february 1558 â january 1, 1617, haarlem, was a dutch printmaker, draftsman, and painter. he was the leading dutch engraver of the early baroque period, or northern mannerism, noted for his sophisticated technique and the âexuberanceâ of his compositions. according to a. hyatt mayor, goltzius âwas the last professional engraver who drew with the authority of a good painter and the last who invented many pictures for others to copyâ. in middle age he also began to produce paintings. goltzius was born near venlo in bracht or millebrecht, a village then in the duchy of julich, now in the municipality brãggen in north rhinewestphalia. his family moved to duisburg when he was 3 years old. after studying painting on glass for some years under his father, he learned engraving from the dutch polymath dirck volkertszoon coornhert, who then lived in cleves. in 1577 he moved with coornhert to haarlem. in the same town, he was also employed by philip galle to engrave a set of prints of the history of lucretia. goltzius had a malformed right hand from a fire when he was a baby his drawing of it is below, which turned out to be especially wellsuited to holding the burin âby being forced to draw with the large muscles of his arm and shoulder, he mastered a commanding swing of lineâ. his portraits, though mostly miniatures, are masterpieces of their kind, both on account of their exquisite finish, and as fine studies of individual character. of his larger heads, the lifesize portrait of himself is probably the most striking example. his masterpieces, so called from their being attempts to imitate the style of the old masters, have perhaps been over praised. goltzius brought to an unprecedented level the use of the âswelling lineâ, where the burin is manipulated to make lines thicker or thinner to create a tonal effect from a distance. he also was a pioneer of âdot and lozengeâ technique, where dots are placed in the middle of lozenge shaped spaces created by crosshatching to further refine tonal shading. hollstein credits 388 prints to him, with a further 574 by other printmakers after his designs. in his command of the burin goltzius is said to rival that of dãrerâs. he made engravings ofbartholomeus sprangerâs paintings, thus increasing the fame of the latter and his own. goltzius began painting at the age of fortytwo some of his paintings can be found in vienna. he also executed a few chiaroscuro woodcuts. he was the stepfather of engraver jacob matham. hendrik goltzius âthe shepard and his flockâ engraving. this is an original antique print of the shepherd and his flock, by m. de vos invent and goltzius sculp from the very rare bible theatrum biblicum hoc est historiae sacrae â veteris et novi testamenti tabulis aeneis expressae, published by nicolaum johannis piscatorum n. j. visscher. this antique copper engraving was printed in 1674 and is in fine condition. the engraved work measures 14 x 12 inches. the image size is print is 10 x 8 1/4 inch.